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October 14, 2013

10 Questions with…Eileen Rendahl

Eileen Rendahl

Eileen Rendahl was born in Dayton, Ohio. She moved when she was four and only remembers that she was born across the street from Baskin-Robbins. Eileen remembers anything that has to do with ice cream. Or chocolate. Or champagne.

In addition to the Messenger series, Eileen Rendahl is the award-winning author of four Chick Lit novels. Her alter ego, Eileen Carr, released her first romantic suspense, HOLD BACK THE DARK, in 2009.

1) When creating the perfect hero and heroine, do you rely solely on your imagination or do you draw inspiration from other sources (family and friends, actors/actresses etc.) or a combination of both?

ER: I draw very heavily on people from my own life. In my chick lit novels, this is especially true. My poor sisters have endured a lot at my hands. That said, I don’t always have the right model and all of them need tweaking here and there. The characters need to be framed correctly so that who they are and what they represent has meaning and isn’t just description. I guess the answer is both. :-)

 2) Which character from your own work would you most like to meet in the real world and why?

ER:  Well, I’ve met a lot of them already  (see above)! I live with Jake from Do Me, Do My Roots. Paul the werewolf bartender from the Messenger series lives down the street and it’s a rare weekend that we don’t have a glass of wine together. Cinnamon and Ginger Zimmerman from Un-Veiled really do run the hair salon where I get my hair cut. Aimee from Hold Back the Dark happens to be married to Paul the werewolf bartender. We’re biking and drinking buddies.

Maybe Zach from Vanished in the Night. I had a pretty big crush on him as I wrote that book. I think I’d enjoy having dinner with his family.

3) Which character from another authors work would you also like to meet?

ER:  I’m almost embarrassed at how easy this is to answer. Suzanne Brockmann’s Cosmo Richter. I would forsake everything if Cosmo called me. I lurve him. The super tough exterior that’s not even a deliberate mask over his sweetness and loyalty. He can’t help that his eyes are that color!!!!!

Before that, however, it might have been Lucky in Tami Hoag’s Lucky’s Lady. Another sensitive soul in a tough guy bod. Are you beginning to see a pattern here?

4) If you had to choose between writing a story that would leave your readers LAUGHING out Loud, CRYING from all the intense emotions or with a pressing need for a COLD SHOWER, which response would you prefer?

ER: Laughing, laughing, laughing. It is my favorite coping mechanism. It’s how I get through the day. I always want to leave ‘em laughing. Oh, and inappropriate laughter is my absolute favorite.

5) Living and breathing a cast of characters for months/years while writing a story must make it hard to set that character aside when the story is finished. Which character did you most have the trouble with saying “Goodbye” to?

ER:  Here’s a not so big secret: I write in first person a lot and because of that, a lot of those characters are me. They have my voice and my world view (mainly). They never have to leave my head because that’s where they belong. Emily from Do Me, Do My Roots might have been the hardest to let go because she was SO me.

6) A lot of authors are now using social media websites like FACEBOOK and TWITTER to connect with their fans and promote their new and upcoming work. How much of a difference do you believe that these interactions help in engaging new readers/fans to your work?

ER: I wish I knew. I know it’s fun and I know I love hearing from people about my books. I’m kind of a Facebook addict and I’ve been dabbling in Twitter lately.

7) Now that self-publishing is growing in popularity and even established “Print” authors are choosing to release some of their work outside the traditional norm of a publishing house, do you believe that the added level of control given to the author will ultimately see a rise in the quality of the works available or just the quantity?

ER: Sadly, probably quantity. There will always be authors who are committed to their art and will not put anything out for public consumption that is less than excellent. There are also always people who haven’t worked on their craft and will be willing to throw anything and everything out there. It takes a lot longer to get something right so I think quantity will win out.

I also think, however, that there will be more variety out there. Authors will be able to get stories out there that publishers might not have deemed commercial enough. I think it will mean a lot more creativity and a lot more fun for readers.

8) Speaking of control…when it comes to the cover art, when a character or couple are portrayed it’s not uncommon for them to be shown as a perfect model of themselves without any of the descriptive flaws found inside the pages of the story. Do you think that readers prefer the more romanticized version or would they rather see a truer version of the characters being portrayed? AND, which would you prefer?

ER: To be fair, aren’t a lot of our characters idealized and romanticized? I’m pretty sure mine are. They may be me in a lot of ways, but they’re always thinner and prettier and have cuter clothes. The cover is setting a mood. I think it’s okay for the models to be idealized.

 9) The NEWS is always doing stories on pirate and file sharing websites that illegally make copies of music, movies and television freely available online, but they rarely if ever include mention of eBooks in these reports. What are your thoughts on the lack of attention being given to this issue?

ER: Grrrr. It’s so frustrating! Every time I stumble on a site where thousands of copies of my books have been downloaded for free, I want to cry. I have kids to put through college and I feel like these people are taking food out of our mouths. Most of them don’t understand that. Of course, I’ve had trouble making people understand why I won’t watch pirated movies or TV shows or use pirated software, either.

10) Would you care to share something about your latest release or a story that you are working on now?

ER:  I’ve been working on getting some of my backlist available again. I’m super excited about having my chick lit novels available for Kindle and Nook. One of the things I’m most excited about is re-releasing Balancing in High Heels under its original title: Dancing Naked Under the Moon. You should see it’s gorgeous cover!

Here’s a little snipped from that book. My heroine, Alissa, is talking to her sister about her recent breakdown at her office where she ripped a FAX machine out of the wall and stomped on it:

“I’m not sure anymore, Alissa. A few months ago, I wouldn’t have said you were the kind of person to rip a FAX machine out of the wall and try to use it as a trampoline,” Marsha observed. “Although you always were an overachiever. I suppose if you were going to start displacing your anger on inanimate objects, no one should have expected you to do it halfway.”

She had a point and not just about the over-achiever thing. I hadn’t thought I was the kind of person to rip a FAX machine out of the wall and tap dance on it either. It frightened me that I was. Really frightened me. The woman with the chair over her head and the woman ripping the FAX machine from the wall bore basically no resemblance to the intelligent, logical woman I had been sure was me.

Let’s face it, a person who would go after a piece of office equipment like a cheetah after an antelope with a limp was not a person who was calm and in control. I had always been calm and in control. Even that nameless little spark,  that little full moon orb, deep down inside myself that I thought of as my very core, had always been calm and in control.”

Our thanks to Eileen for participating in “10 Questions With…” You can can find her latest—a re-release, eBook of the contemporary mystery romance PETALS ON THE PILLOW—at

Please support the author by buying her books:




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One Comment

  1. How did I not know that you were born in Dayton? Especially since I used to live there, and it was pretty darn close to a Baskin Robbins.

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